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Archive for the ‘Audition Notices’ Category

Auditions for “Little Women, The Broadway Musical”

Sunday, October 6th, 2019

Wheaton Drama, Inc. will hold auditions for Little Women, The Broadway Musical on Sunday, November 3rd and Monday, November 4th at 7pm. Callbacks (if needed): Tuesday, November 5th, 7pm. All auditions will be held at 112 N Wolf Road Northlake, IL 60164. NOTE – This is NOT Wheaton Drama. Auditions are being held off site for this production. The show runs January 17th – February 9th, 2020.

Little Women, The Broadway Musical is a heartwarming look at the lives of the four March sisters as they grow up and find their own voices against the backdrop of the Civil War. Full of hope and adventure, memorable songs, humor and heartbreak, the show (and beloved book) is based loosely on Louisa May Alcott’s life.

Audition slots are available by appointment only. Director Krystyn Wells would like to see a 30 second – 1 minute story or “elevator” pitch about a favorite thing (book, play, TV show, recipe, vacation). Please also prepare 16-32 measures of musical theatre style in appropriate key; please provide copy as an accompanist will be provided.  Please no a cappella or recordings. You may be asked for additional singing for range placement.

To request an audition time or to ask questions: please write to the show’s email: LittleWomenMusicalWDI2020@gmail.com and indicate preference for Sunday or Monday, as well as preference for earlier or later in the evening. We will do our best to accommodate your requests. Audition forms can be downloaded by clicking the link below:

Download audition forms here. https://docs.google.com/document/d/1W5Y5oSB7_FrSMb-is8jqxT9lsYThOigwNGg2UFX7yAg/edit?usp=sharing

Available roles:
Jo March – Our protagonist who stands up for everything she believes in. Passionate, adventurous and brave. (Vocal Range E3-A5 (Belt/Mix), Age Range 18-23)

Professor Bhaer – A German Professor who exemplifies proper manners. He is a boarder in Mrs. Kirk’s boarding house. (Vocal Range G2-F#4 (Baritone), Age Range 25-45)

Amy March – The youngest March sister, impulsive, energetic, and striving for a more sophisticated life. (Vocal Range Cb4-Gb5 (Soprano/Mix), Age Range 14-18)

Meg March – The world-weary, yet hopeful, oldest sister who yearns for a great life. (Vocal Range A#3-Gb5 (Soprano), Age Range 20-25)

Beth March – The second youngest sister who tragically dies of Scarlet Fever. Peace-maker, giving and optimistic. (Vocal Range A3-G5 (Soprano), Age Range 16-21) 

Marmee March – The girls’ mother. She is the strong backbone of the family, courageous in spite of difficulties. (Vocal Range Eb3-Eb5 (Mezzo Soprano), Age Range 45-55) 

Mr. Laurence – Laurie’s grandfather who lives next door. Slightly crotchety. (Vocal Range D3-E4 (Baritone), Age Range 55-70) 

Laurie Laurence – The bright-eyed-boy-next-door with considerable charm. (Vocal Range Bb2-Bb4 (Tenor), Age Range 18-23) 

Aunt March – A formidable, over-bearing matron and great-aunt to the March sisters. (Vocal Range E3-F5 (Soprano), Age Range 35-60) 

Mr. John Brooke – Laurie’s tutor and a rather stiff man; shows very little emotion until he falls in love with Meg. (Vocal Range C#3 – F#4 (Bari-Tenor), Age Range 25-35) 

Mrs. Kirk – The woman who runs the New York boarding house where Jo lives. Slight Irish accent. (Vocal Range D4-G4 (Soprano), Age Range 45-60) 

Weekly Volcano Press Characters –  (Troll, Clarissa, Rodrigo II, Knight, Rodrigo, Hag, Braxton) – May be cast as separate roles within the ensemble or double cast with Amy, Meg, Beth, Mr. Laurence, Laurie, Aunt March and John Brooke (Various Vocal Ranges, Age Range 14+) 

Ensemble – Dancers at the ball, ice skaters, beachcombers, hags, trolls and monks. (Various vocal ranges, Age Range 14+) 

2019/2020 Audition Schedule

Sunday, June 23rd, 2019

Wheaton Drama is proud to announce its audition schedule for the 2019/2020 Season. Save the date information is listed below for each of the shows, and more information about time, place and requirements for each show are forthcoming on our website and social media. Mark your calendars now – and join us in making the 2019/2020 Season at Wheaton Drama remarkable!

  • The Addams Family Auditions – July 21, July 22; Callbacks – July 23; Optional Dance Workshop –  Sunday July 14. Auditions will be scheduled in group rotations.
  • Moonlight and Magnolias Auditions – Sep 15, Sep 16; Callbacks – Sep 17. Auditions will be in scheduled time slots.
  • Merry Mad Mid-Mod Auditions – Aug 4. Auditions will be in scheduled time slots.
  • Little Women The Broadway Musical Auditions –  Nov 3, Nov 4; Callbacks – Nov 5.
  • Hauptmann Auditions – Jan 19, Jan 20; Callbacks – Jan 22. Auditions will be in scheduled time slots.
  • Peter and the Starcatcher Auditions – March 22, March 23; Callbacks March 24. Auditions will be in scheduled time slots.

Audition Notice: SWEENEY TODD

Saturday, February 2nd, 2019

Wheaton Drama announces auditions for SWEENEY TODD: The Demon Barber of Fleet Street, directed by Randall W. Knott, with production management by Elyse Willis, musical direction by Bryan McCaffery, and choreography by Katy Smith.

WHEN: Sunday, March 3 or Monday, March 4, beginning at 7 p.m..  Callbacks will be held on Wednesday, March 6, beginning at 7 p.m..

WHERE:  Wheaton Drama’s Playhouse 111, located at 111 N. Hale St., Wheaton, IL

Auditions will be by appointment (see below). Please prepare 32 bars of a piece in the style of the show. There will be no movement/reading at the preliminary auditions, just singing. Callbacks will include some movement. Please plan to arrive as early as you need to prepare for your audition time. Note: we intend to be on time, if you are late, your spot will likely be forfeited. See below for character descriptions.

To schedule an appointment:  

Audition appointments have been filled and a waiting list has been started. Please email below to be added to the waiting list for an audition!

Please email toddwdi2019@gmail.com with a preferred audition night, NOT a preferred time. With the demand we expect, we will not be able to accommodate requests for appointment time. Audition appointments will be scheduled in 5 minute increments, and the Production Staff reserves the right to fill the slots as requests arrive. Please indicate that in the event your preferred night is not available, if you are available the other night as well. Auditions will be first come, first serve, and limited to the 72 slots we are creating. Audition appointments will close on March 1, 5:00 pm.  

SWEENEY TODDwill run May 24 through June 16, 2019. Performances will take place Thursdays/Fridays/Saturdays at 8pm & Sundays at 3pm. All performances are staged at Wheaton Drama’s Playhouse 111, located at 111 N. Hale Street in downtown Wheaton.

Non-Mandatory Q&A with Production Staff

There will be a non-mandatory Q&A with the Director and Assistant Director on Saturday morning, February 9th, at Playhouse 111, 10:00-11:00 a.m. Audition expectations, a brief description of the vision of the show, and any questions from those attending will be the topics of the day.  There will be doughnuts, coffee, etc.  Mostly, it’s a way to break some of the tension before the auditions.  As stated, attendance is not mandatory, but we might have some fun.  

Character Descriptions:
Age ranges mean WHAT CAN BE VISUALIZED ON STAGE age ranges, not necessarily actual ages of actors.

Sweeney Todd– Baritone  (Age 35-45)  Primary male lead. A man out for revenge following his 15 year false imprisonment in Australia.  Will learn small amount of stage combat.

Mrs. Lovett– Mezzo (Age 45-55)  Primary female lead.  Opportunistic owner of a failing meat pie shop.  Comedic, for sure, but with an edge.

Judge Turpin– Baritone (Age 55-75) Supporting male lead.  Sanctimonious “honorable” man responsible for Todd’s imprisonment. 

Anthony Hope– Tenor  (Age  20-25) Supporting male lead.  Wide-eyed romantic ingénue.

Johanna– Lyric Soprano (Age 16) Supporting female lead.  Romantic ingénue who is perhaps not so wide-eyed.

Beggar Woman– Mezzo (Age – 35-45) Supporting female lead.  “Crazy” beggar woman with a tragic story to tell.

Tobias Ragg– Tenor (teenager-early 30s) Supporting male lead.  Mentally challenged, put-upon young man.  Will consider teenagers, but bear in mind that the role is demanding, vocally.  

Beadle Bamford– Tenor (Age 45-55) Supporting male lead.  Turpin’s lackey.  What Bill Sikes would be if he’d had someone spot his talent and groom him.  Must have a high falsetto range.

Adolfo  Pirelli– HIGH, crisp tone, tenor (Age 25-35) Pirelli is a theatrically comic Italian(?) barber with a soaring voice…and a secret.  

Ensemble– We NEEDbetween 5-16 ensemble members to act as a Greek Chorus throughout the play.  Stage time will be plentiful, and ALL will be featured, at least visually, at some point.  The Ensemble will be balanced based on strength of vocalists, it may be divided equally SATB, it may not.  We will be casting at least 3 males and 2 females in the ensemble. We would prefer a larger ensemble, as we want to fill the stage with sound.  This is a show that absolutely depends on its ensemble.

This production is non-equity & there is no pay.

SWEENEY TODD is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIshows.com

Audition Notice: Murdered to Death by Peter Gordon

Wednesday, December 5th, 2018

Wheaton Drama (WDI) proudly announces auditions for the hilarious comedy, Murdered to Death, by Peter Gordon.  Directed by Annie Walker-Bright and produced by Rebecca Poole-Dumper.

Auditions will be held Sunday, January 6 and Monday, January 7, 2019 starting at 7pm, with callbacks as needed on Tuesday, January 8that 7:30 p.m.  Auditions will be held at Wheaton Drama’s Playhouse 111, located at 111 N. Hale Street, Wheaton, Illinois.  Auditions are open, with no appointments required.  Cold readings from the script and sides will be provided for each character at auditions.

Murdered to Death will run March 22 through April 14, 2019; Thursdays/Fridays/Saturdays at 8pm; Sundays at 3pm. Performances will take place at Wheaton Drama’s Playhouse 111, located at 111 N. Hale Street in downtown Wheaton.

Synopsis:

Murdered to Death is the first in the ‘Inspector Pratt’ trilogy of spoofs of the Agatha Christie ‘whodunnit’ genre, with a dash of Inspector Clousseau thrown in for good measure.

The play, set in the 1930s, takes place in an English manor, slightly worse for ware, with worn out decor and furnishings.  It introduces the inept and bungling Inspector Pratt, who battles against the odds and his own incompetence to solve the murder of the house’s owner. It soon becomes clear that the murderer isn’t finished yet; will the miscreant be unmasked before everyone else has met their doom or will the audience die laughing first?

Characters:

The characters in Murdered to Death are all deliberately based upon ‘whodunnit’ stereotypes. All of these characters are caricatures of typical English gentry, but according to director Walker-Bright, “My experience in directing most comedies shows that the humour works best when they are played relatively ‘straight’.”  Character ages below are for guidance only and can be varied, provided that the overall balance is maintained.  Director Walker-Bright gives the following advice: “I would rather see huge characters at first.  Show no fear in presenting over the top performances as one is then able to be pulled back if necessary.”

Mildred– Late fifties. Moderately wealthy owner of Bagshot House.

Dorothy– Mildred’s niece. Late twenties and rather plain but very appealing.

Bunting– The butler. Sixties. Pedantic and rather creepy.

Colonel Charles Craddock– Early sixties. Dresses in tweeds. Confident but over the top bluster.

Margaret Craddock– The long-suffering but acerbic wife of Charles.

Elizabeth Hartley-Trumpington – Mid twenties. Attractive and stunningly dressed. Very high society.

Pierre Marceau– A french art dealer in his early thirties. An exaggerated french accent.  Will need to hear cockney from this character as well.  Aha!!!!

Joan Maple – A spinster in her sixties. Amateur sleuth. Think of all the Miss Marples you have ever seen and this is Joan Maple.

Constable Thomkins– Young, bright uniformed village policeman, but well aware of Inspector Pratt’s pratness!!!!

Inspector Pratt – Inept, posing and clumsy. Thinks he so clever but we know better.  A master of malapropism, but this is not intentional.

Audition forms will be available at the theater during auditions or you may download for completion here: Murdered to Death Audition Form

Contact Director Annie Walker-Bright with questions at Bebrightannie@aol.com.

Wheaton Drama is a non-equity theater and offers no pay. Cast members will be required to complete membership with Wheaton Drama in order to participate.

Audition Notice: WIT

Saturday, October 20th, 2018

Wheaton Drama (WDI) proudly announces auditions for the Pulitzer Prize winning drama, “Wit”, by Margaret Edson.  Directed by Lisa Dawn and produced by Mike Boyna.

Auditions will be held Sunday, November 11th and Monday, November 12th starting at 7pm, with callbacks as needed on Tuesday, November 13th.  Auditions will be held offsite at 112 N Wolf Rd, Northlake IL. To request an audition, please fill out the audition form and email it to WDIWitAuditions@gmail.com, along with your preferred audition date.  The date and scheduled time for your audition will be emailed back to you, along with sides for you to prepare and directions to the audition site. Walk-ins are welcome but will only be seen as time allows.

Performances of “Wit” will take place January 18 through February 10, 2019; Thursdays/Fridays/Saturdays at 8pm; Sundays at 3pm.

Audition Form available for download here: Wit Audition Form


Synopsis:  

Vivian Bearing, Ph.D., a renowned scholar and professor of English who has spent her life studying and teaching the metaphysical sonnets of John Donne, has been diagnosed with terminal ovarian cancer.  During the course of her illness – and during her stint as a patient in an experimental chemotherapy program – Vivian comes to reassess her life and her work with a profundity and humor that are transformative both for her and the audience.

“[A] brutally human and beautifully layered play…you feel both enlightened and, in a strange way, enormously comforted.” – The New York Times

 

Characters:  

NOTE: All characters in “Wit” are open to all ethnicities.  Age preferences are listed*

Vivian Bearing, Ph.D. (Age 50’s) – The play’s main character and narrator.  As a professor, she is infamously tough, and as a scholar she is unrelenting in her pursuit of knowledge.  But as her disease and its painful treatment progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.  You’ll also find that she contains elements of…humor.

Harvey Kelekian, M.D. (Age 50’s) – Chief of Medical Oncology and not only responsible for Vivian’s treatment but all of the medical fellowships, including that of Jason Posner.  Vivian and Kelekian are like-minded peers who speak different languages.

Jason Posner, M.D. (Late 20’s) – A medical fellow in Dr. Kelekian’s Oncology unit responsible for much of Vivian’s care.  Coincidentally, he was once a student of Vivian’s. Much like Vivian, his passion for research far outweighs his interest in personal connections.  

Susie Monahan, R.N. (late 20’s-30’s) – Vivian’s primary care nurse.  Though not considered “book smart” by scholarly standards, she shows Vivian that there is more to life than what can be taught in a classroom.  

E.M. Ashford, Ph.D. (Age 50-80’s) – Professor Ashford is Vivian’s college professor/mentor.  Though Ashford passed on to Vivian her unrelenting work ethic and thirst for knowledge, she also urged Vivian to find balance in life through personal connection – which she gives to Vivian in her time of need. Ashford is first seen at age 50 in a flashback, and then again at age 80.

Mr. Bearing (Played by the same actor as Kelekian) – Vivian’s father seen in a flashback from Vivian’s early childhood during the moment she acquired her passion for words.

Lab Techs, Clinical Fellows, Vivian’s students, Code Team (Age 20-30’s, preferably 2M, 2F) – Each of four actors will play four distinct characters, one from each of the above groups. These are roles that drive the action and represent aspects of Vivian’s journey, past and present, continually.  Seeking actors well versed in characterization and improv.

“Wit” is presented by special arrangement with Dramatists Play Services, Inc., New York, NY.

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